The Human Touch: Raphaele Sohier on What AI Can’t Capture in Fashion Photography

By Henry Tuppen
October 7, 2023

Fashion shows shine on glossy runways and busy streets. Yet, fashion stays true when experts work side by side. Stylists, producers, photographers, and set designers join forces. Each one brings skills that build clear images.

For our Autumn/Winter 2025 (AW25) issue at New Wave Magazine, we built a team in Paris for Fashion Week. One standout was photographer Raphaele Sohier. Her work feels honest and warm in a field that grows with AI. Her photos hold a raw look in a world where machines often lead.

The Collaboration That Caught Attention

During a busy Paris week, I watched Sohier work close with her team. As events flew by, her art mixed with bright emotions. Her work broke the usual mold. Our team enjoyed her visions so much that we have teamed with her once more. This step starts a new creative phase.

When talk of AI models and tech in art comes up—such as H&M’s note on AI models—I think hard on why human links matter. Fashion is not just front-row looks; it is about true bonds and projects built with care. People give life to work when they work together.

An Insightful Conversation

I sat with Raphaele to learn how she sees fashion and photography. We talked about her start, her sparks, and her future ideas.

Beginnings in Photography

NW: How did you start with photography?
RS: I played with a camera because my dad had one. At first, I just had fun. In high school, I earned a bit for photos, but I focused on basketball and studies then.

Inspirations and Influences

NW: Who inspires your work?
RS: I look up to photographers like Elizabeta Parodina for her bold use of color, Aidan Zamiri, and Gabriel Moses. I also gain ideas from the small details of everyday life.

Working in the Field

NW: How long have you worked in this field?
RS: I have worked as a photographer for over two years. Yet, I have loved photography all my life.

NW: What makes fashion photography different?
RS: Fashion tells a story through styles and clothes. I mix light, design, and teamwork to create one clear story.

The Rise of Artificial Intelligence

NW: What do you think about H&M using AI models?
RS: I see new changes. But I do not believe machines can replace human art in photos. People seek bonds with other people. It does make me worry how fast tech grows. I trust that a human touch stays in creative work.

Celebrating Achievements

NW: Are there particular projects you remember well?
RS: Yes. Working with Vogue Arabia changed my career. Teaming up in Montreal was also a special time. We worked as a unit and grew together.

Advice for Aspiring Photographers

NW: What advice helps newcomers in photography?
RS: Stay true to who you are. Work hard on your art and on yourself. Good mental care helps shine in creative work.

Ups and Downs in the Field

NW: What obstacles do you see in your work?
RS: Keeping the same quality is hard. There is a steady push to move to the next job, and that can tire anyone.

NW: And what are the best parts?
RS: The best part is working with others who share passion. That team fire sparks new ideas.

The Creative Process

NW: How do you plan for a photo shoot?
RS: It starts with an idea. Sometimes the idea comes from a client, sometimes from me. I join up with stylists, makeup artists, and models. The goal is to stick true to our plan. On shoot day, I adjust light and camera, then work on the images later. In editing, I try small changes to get the best look.

NW: What does set preparation involve?
RS: I scout locations and plan many details. I coordinate roles with the creative leader. Teamwork helps each part fit into the whole story.

A Day on the Set

NW: How does a shoot day differ from a free day?
RS: On a shoot day, I wake early to check the plan and sketch light ideas. Off days mean editing, socializing, refreshing my portfolio, and finding fresh sparks. I mix rest and work to keep my mind clear.

The Path to Success

NW: What roles help one learn about photography?
RS: Helping established photographers is very useful. Working in production also shows how a shoot works. I once worked in real-world production. There I met a mentor who changed how I see the game.

NW: If you were not a photographer, what work would you choose?
RS: I might work in a health field like kinesiology. The study of movement has always drawn me in.

NW: How do you find work in such a busy field?
RS: Meeting new people matters a lot. Early on, I reached out, shared ideas, and worked hard until I met clients I liked.

Wrapping Up

NW: What note would you share with those new to the field?
RS: This field runs fast and is tough, but it fills you with growth if you keep learning. Change is normal. It is best to keep going; there is always a place for new looks.

Raphaele Sohier shows us a clear view of modern photography. She trusts teamwork and the warm hand of humans in work that may feel cold with tech. The future may hold new trials, but her drive and art will keep human links strong.